STEPHANIE JUTT AND JEFFREY SYKES - ARTISTIC DIRECTORS

Plan Your Visit

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How do I buy tickets this year? There was no mailer.
We’ve moved to on-line tickets this year. Since all performances (but one) will be on the UW-Madison campus, you must order through Campus Arts Ticketing, click here.

If you are having trouble or need to order by phone, you may call 608-265-2787 to reach the box office. If you need special seating, please email boxoffice@union.wisc.edu. Call BDDS at 608-255-9866 for additional help.

What form will my tickets take this year?
You can select “mail” or “print at home” tickets. “Print at home” tickets can either be printed or you can show your e-ticket at the hall on your mobile device. All of our tickets, whether purchased online, by phone, or in-person cost the same––there are no “convenience” fees for any option. So buy your tickets now, and breeze right past the box office and straight to your seat!

Where do I park?

  • Collins Recital Hall in Hamel Music Center, Mead Witter School of Music: NOTE! THE State Street Campus Garage IS CLOSED FOR RECONSTRUCTION. However, the entrance on Frances Street remains open.
  • The Lucky Building (formerly University Square) across the street on University Avenue also has public parking .
  • Visit Parkopedia for all nearby options here.

What are the performance halls like?
Each performance hall is special in its own way.

How can I get more information?
For information on tickets, performances, programs, parking, restaurants, or anything else having to do with your BDDS experience, call our World Wide Headquarters at 608-255-9866, or browse our website to learn more and sign up for our BDDS E-newsletter.

What should I wear to a BDDS performance?
We’ll never tell you how to dress! Most people opt for business casual, but jeans are fine, too. We want you to be comfortable, and whether you wear a great print on your shirt or body part, everyone is welcome at our concerts.

How long do most concerts last?
Our concerts last about two hours, fun surprises!

What’s up with your name? Is there dancing, do I have to dance?
We encourage your brain to dance while listening to our concerts; you may even feel like moving to the beat in your seat. What we do best is perform chamber music.

Do you offer reserved seating in the new Collins Recital Hall?
Yes! All seating for ticket-holders in Collins Recital Hall on the UW-Madison campus is reserved! Also, prime seating in Collins Hall can be purchased for an additional charge. Prime seats are the first several rows in the orchestra and the first row in the balcony.

What if I have special seating needs?
BDDS is dedicated to making sure each patron enjoys its concert. Wheelchair and other special-needs seating is available in Collins Recital Hall in Madison. Please email Campus Arts Ticketing at boxoffice@union.wisc.edu with special seating requests. You may also call the box office at 608-265-2787. If you need to speak to someone at BDDS, call 608-255-9866. Of course, you may also contact an usher at one of our performances..

What if I arrive late?
As concerts begin promptly at the scheduled time, latecomers will be seated at a natural break in the music. If you must leave the hall during the performance, please do so quietly. Re-entry while the concert is in progress is at the discretion of our ushers.

Are there any other concert hall policies?
Use of cameras or recording devices is strictly prohibited inside the concert hall. Bottled water is permitted in the concert halls. We also ask that you turn off cell phones, beepers, alarm watches, and anything else that might go “beep” during the concert. Need we say it? Please refrain from texting during the performance as it is super distracting to your fellow audience members (we’ve all been that person in the next seat).

Can I exchange tickets for another performance?
Tickets are non-refundable but exchanges are permitted with 48 hours notice. Contact Campus Arts Ticketing at boxoffice@union.wisc.edu or 608-265-2787.

How can full time students enjoy BDDS?
Full time students with a valid student ID can purchase a BDDS student ticket for only $10.00 for any available seat in the house (with the exception of prime seating). Please show a valid student ID at the ticket window or follow the prompts if ordering online.

Can I bring my children to concerts?
Introducing children to the spectacular world of chamber music is a gift that will last a lifetime. Children six years of age and older are welcome to enjoy the music.

What if I can’t make it to the concert?
If you can’t attend concert for which you’ve purchased tickets, consider donating them back to the BDDS for resale. Call BDDS at 608-255-9866 until noon on the day of the concert. We will mail you a receipt acknowledging your tax-deductible donation.

We’re coming in from out-of-town for a Madison performance. Where can we stay?
BDDS recommends the historic Livingston Inn on Gorham Street in Madison. 608-238-6317. Let Peggy know we recommended her!

I want to bring a group to a concert – do we receive ticket discounts?
Absolutely! Enjoy music with friends for 25% off the regular ticket price (for groups of 10 or more). Please call BDDS at 608-255-9866 for more information.

Do I need to “prepare” for BDDS concerts in order to appreciate the music?
While you can always enjoy the music as it is performed, you can enhance your concert experience with a better understanding of the background stories behind the music. In addition to musicians speaking about the music from the stage, you will find notes in our concert program about what you will hear. Another great way to learn about some music is to do a little Internet surfing and subscribe to our BDDS E-newsletter.

When should I applaud?
We love your enthusiastic applause! Feel free to applaud during the musician’s entrance onto the stage and after the piece is finished (usually when the musicians stand up). Composers usually create a work as a whole, which is often made up of several movements. We list the number of movements for each work in our program. Of course, back in the day it would be an insult to withhold applause during a piece, so if you feel moved…let ‘er rip!

Double bassist DAVID SCHOLL was recently appointed to the faculty of the University of Wisconsin-Madison.  He currently serves as principal bassist of the Madison, Quad City, and Dubuque Symphonies and frequently appears with the Elgin, Rockford, and South Bend Symphonies. He is also active in the new music community, including appearances as a guest artist in the Chicago Symphony Orchestra’s MusicNOW series, the University of Chicago’s Contempo series, and the Spektral Quartet. He also appears as a guest clinician in music programs in and around the Midwest. As a product of the public school system, he makes it a priority to present in public schools and nonprofit music programs, including the UW-Madison’s Summer Music Clinic. Mr. Scholl received both his BA and MA degrees at Indiana University, where he studied bass with Bruce Bransby. While there he also studied historical performance from distinguished professor Stanley Ritchie, and spent the summers studying bass with Owen Lee, Jeff Turner, and Peter Lloyd. He continued studies as a Fellow at the Aspen Music Festival and at the Civic Orchestra of Chicago, where he was principal bassist and studied with Alex Hanna.

Trumpet MATTHEW ONSTAD A Wisconsin native, Dr. Onstad serves as assistant professor of trumpet at the University of Wisconsin-Whitewater, where he teaches applied trumpet, coaches chamber music, and performs with the Whitewater Brass Quintet. While earning his Doctor of Musical Arts and Master of Music degrees from UW-Madison, Dr. Onstad performed with the Wisconsin Brass Quintet, a faculty ensemble-in-residence. He holds the rank of staff sergeant in the 132nd Wisconsin Army National Guard Band and has performed with the Milwaukee Symphony Orchestra, ProMusica Chamber Orchestra, Milwaukee Ballet Orchestra, Madison Symphony Orchestra, Wisconsin Chamber Orchestra, Orchestra Iowa, Illinois Symphony Orchestra, and the Isthmus Brass. He held the position of principal trumpet with the Quad City Symphony Orchestra from 2016-2021. Dr. Onstad has previously taught trumpet at St. Ambrose University, UW-La Crosse, and UW-Oshkosh. He has served as a master clinician with the Wisconsin Brass Quintet, the 132nd Army Band, and the Quad City Symphony Orchestra. Dr. Onstad received his Bachelor of Music degree from UW-Oshkosh. matthewonstad.com

Bassoonist ADRIAN MOREJON is a soloist, chamber musician, and orchestral musician based in New York City. As a soloist, Mr. Morejon has appeared with the Talea Ensemble (New York City), the Boston Modern Orchestra Project, and the Miami Symphony, and has also performed in Vienna, Prague, and Memphis. He is co-principal of IRIS Orchestra and a member of the Dorian Wind Quintet, Talea Ensemble, and Radius Ensemble, and he has appeared with many other ensembles and festivals. Mr. Morejon is a prize-winner of the IDRS Gillet-Fox and Moscow Conservatory international competitions and a recipient of a Theodore Presser Foundation grant. He holds degrees from the Curtis Institute of Music and Yale School of Music and currently teaches at the Curtis Institute of Music, the Longy School of Music of Bard College, Purchase College Conservatory of Music, and Brooklyn College. (Website)

Harpist JOHANNA WEINHOLTS is principal harpist of the Madison Symphony Orchestra. She regularly performs with Madison Opera and the Wisconsin Chamber Orchestra and has been a featured soloist with the Madison Symphony Orchestra. She is also Lecturer of Harp at the University of Wisconsin Mead Witter School of Music. Before moving to Madison in 2017, Ms. Weinholts was a freelance harpist in New York City and Toronto and has performed with orchestras all over the United States and Canada. She is an avid performer of both the standard symphonic repertoire and contemporary music and has performed with numerous contemporary ensembles in New York. She has recorded for musical artists in other genres and has been featured on hip-hop, pop, and folk albums. Ms. Weinholts holds a BA in classical harp performance from the University of Toronto and a graduate degree in performance from the Manhattan School of Music. She attended Interlochen Arts Academy where she studied with Joan Holland, professor of harp at the University of Michigan. Ms. Weinholts studied in Toronto with the renowned Judy Loman, one of the last pupils of Carlos Salzedo, a founder of the modern harp technique. (Website)

Horn player DAFYDD BEVIL is Acting Principal Horn of the Madison Symphony Orchestra and La Crosse Symphony. He is also Associate Lecturer of Horn at the University of Wisconsin-Whitewater, performs with the Whitewater Brass, and is the director of the UW-Whitewater Fall Horn Festival. He performs throughout the Upper Midwest as a symphonic, chamber, and solo musician. Dr. Bevil has performed at regional and international conferences of the International Horn Society and maintains an active recital schedule, performing for audiences throughout southern Wisconsin and at universities throughout the country. In 2019, Dr. Bevil completed an album titled “From Screen to Concert Hall” as part of his doctoral research. It is a collection of concert works for horn written by prominent film composers. The album includes the debut recording of Timeline (1945- ), a trio for horn, viola, and piano by Emmy-winning composer Bruce Broughton, as well as seldom recorded works by Nino Rota, Ennio Morricone, and John Williams. He plays on Jungwirth horns crafted in Freischling, Austria. (Website)

Norma Sober, now retired, had a long career as an arts administrator in Madison as the director of outreach at the Madison Civic Center and as director of development and education at Madison Repertory Theatre. She is a member of the Madison Arts Commission and is an occasional consultant to cultural organizations, for which she sometimes gets paid.

David PoletDavid Polet was born in Holland, Michigan into a family of Dutch immigrants.  One of his passions was living in Russia, studying language and literature, and attending the St. Petersburg Philharmonic.  Having worked at Epic Systems, and CUNA Mutual Group, he is currently employed at the State of Wisconsin Investment Board as a project manager.  He likes to attend Chamber Orchestra concerts and is a member of the Salon series at Farley’s House of Pianos.

Beth LarsonBeth Larson has a wealth of experience in nonprofit administration, fundraising, program development, and education as well as performance. As a violinist, Beth has performed with numerous ensembles including the Madison Symphony Orchestra, Wisconsin Chamber Orchestra, Willy Street Chamber Players, and Civic Orchestra of Chicago. She is the former Director of Development-Corporate Partnerships at Overture Center for the Arts in Madison. She is currently Vice President of Development for Habitat for Humanity.

Sarah BestSarah Best is the award winning CEO/chief strategist of Sarah Best Strategy, a social media company.  She has been invited to speak at various conferences around the country, and is an avid traveler, foodie, and multi-faceted creative.  Sarah is also a poet who has been published in The Yale Review.  She is a visual artist and film curator who has shown work at many significant Chicago institutions as well as the Echo Park Film Center, in Los Angeles.  She is a Madison Downtown Rotarian and is secretary of the board of New Harvest Foundation.

Teri Venker has led arts marketing as the director of marketing for the Madison Symphony Orchestra, from which she recently retired, and for the Wisconsin Union Theater.  Teri enjoys bicycling and international travel.  She also volunteers at Lakeview Elementary School and with the Madison Trust for Historic Preservation.

Larry Bechler grew up playing music: first piano, then trumpet all the way through college marching band and into post-college bands. He has a love of live chamber music, spawned by BDDS and the Spoleto Festival in Charleston. He practices law at Murphy Desmond S.C and has served on various committees and commissions throughout his life.

Miriam Simmons served as the Assistant Dean for Professional Development in the Graduate School at UW-Madison. A major responsibility was directing the Wisconsin Idea Seminar, a five-day tour of the state that immerses forty faculty and academic staff members in the realities of Wisconsin. She is on the board of the Madison Civic Club and considers BDDS her new BFF.

Horn DANIEL GRABOIS is associate professor of horn at the University of Wisconsin-Madison, where he plays with the Wisconsin Brass Quintet. He also conducts the UW-Madison Horn Choir; serves as curator of the interdisciplinary series SoundWaves, which he founded in 2012; and directs EARS (Electro-Acoustic Research Space), a research facility for faculty and students. For 30 years, Mr. Grabois has been a member of the Meridian Arts Ensemble, a New York-based new-music brass and percussion ensemble that performs around the world and has released twelve CDs. With Meridian, he has performed in 49 states, given over 75 world premieres, received two ASCAP/CMA awards for adventuresome programming, and has worked with students in the U.S., Europe, Latin America, South America, and Asia. Mr. Grabois has also played with many of the performing ensembles in New York City, including the Chamber Music Society of Lincoln Center, Orpheus Chamber Orchestra, Metropolitan Opera Orchestra, and New York City Ballet. As a composer, Mr. Grabois has published three etude books for horn as well as solo and chamber music. He recently released Air Names, his first solo CD recording, featuring his own compositions for electric horn, bass, and drums. Danielgrabois.com

Piano INNA FALIKS is an Ukrainian-born American pianist and professor of piano at UCLA. After her teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed with numerous orchestras, in solo appearances, and with conductors such as Leonard Slatkin and Keith Lockhart. Highlights of recent seasons include recital tours of China, and performances at the Ravinia Festival, the Festival Internacional de Piano in Mexico, the Fazioli Series in Italy, and Israel’s Tel Aviv Museum. Ms. Faliks collaborates with and premieres music by contemporary composers such as Billy Childs, Richard Danielpour, Timo Andres, and Clarice Assad. She created the poetry-music series Music/Words and regularly tours with her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the U.S. from Odessa. Her recordings include all-Beethoven and Rachmaninoff/Ravel/Pasternak discs for MSR Classics. Upcoming recordings include Reimagine Beethoven and Ravel (with nine world premieres) on Parma and the Master and Margarita project, with three world premieres and Liszt's Sonata in b minor, on Sono Luminus. Innafaliks.com

Viola KATARZYNA BRYLA-WEISS was born into a family of musicians and has gone on to earn more than two dozen prizes and awards in the U.S., France, and her native Poland. Ms. Bryla-Weiss regularly performs with orchestras, chamber groups, and as a soloist in an international career that has taken her across four continents. In 2019 she became a member of St. Luke’s Chamber Ensemble, the artistic core of the Orchestra of St. Luke’s in New York City. She is also a member of the New York City Ballet Orchestra and New York Pops Orchestra, and regularly appears with New York City Opera. Ms. Bryla-Weiss was a soloist with the Baltimore Chamber Orchestra in their 2010 tour of China, and was soloist for the Maazel/Vilar Conducting Competition in Cracow in 2001. She has performed in numerous music festivals, including Classical Tahoe, Napa Valley Music Festival, Central Vermont Music Festival, Music@Menlo, Cactus Pear Music Festival, Bach Dancing & Dynamite Society, Singapore Sun Music Festival, and Las Palmas Music Festival in Grand Canary Island, Spain.

Violinist Paran Amirinazari, an avid chamber musician, is a founding member and artistic drector of the Willy Street Chamber Players. She is a former member of the Hunt String Quartet and has recently earned her Ph.D. from the University of Wisconsin-Madison.

Cello TRACE JOHNSON, is committed to music-making of all styles and genres. Johnson has appeared as a chamber musician, soloist, and orchestral musician in a wide variety of settings in the U.S. and around the world. Equally at home teaching in the studio or performing on stage, he enjoys a varied career as a cellist, teacher, and musician. He is a cellist in the Sarasota Orchestra in Sarasota, Florida, the Madison Symphony Orchestra, and the Wisconsin Chamber Orchestra. He is a regular substitute with the Milwaukee Symphony Orchestra. He has also performed in chamber recitals with faculty from SUNY Purchase, the University of Toronto, Florida Atlantic University, Palm Beach Atlantic University, Florida International University, Shenandoah University, and Queens College in New York City. Johnson is a Collins Fellowship Recipient at the University of Wisconsin-Madison, and is pursuing his Doctor of Musical Arts degree. (Website)

Pianist RANDALL HODGKINSON, grand prize winner of the International American Music Competition sponsored by Carnegie Hall and the Rockefeller Foundation, has performed with orchestras in Atlanta, Philadelphia, Buffalo, Boston, and Cleveland, and abroad in Italy and Iceland. In addition, he has performed numerous recital programs spanning the repertoire from J.S. Bach to Donald Martino. He is an artist member of the Boston Chamber Music Society and performs the four-hand and two-piano repertoire with his wife, Leslie Amper. Festival appearances include Blue Hill (Maine), Bargemusic, Chestnut Hill Concerts (Madison, Connecticut), Seattle Chamber Music Festival, Chamber Music Northwest (Portland, Oregon), and Mainly Mozart in San Diego. Mr. Hodgkinson recently released a CD of solo piano music on the Ongaku label. Other recordings include a live world premiere of the Gardner Read Piano Concerto for Albany records. Mr. Hodgkinson is on the faculties of the New England Conservatory of Music in Boston and the Longy School in Cambridge, Massachusetts. (Website)

Pianist CHRISTOPHER TAYLOR is known for his advocacy of music written in the past 100 years, but his repertoire spans four centuries and includes the complete Beethoven sonatas, the Liszt Transcendental Etudes, and Bach’s Goldberg Variations. Mr. Taylor has concertized around the globe, with his most recent international tours taking him to Korea, China, Singapore, Italy, and Venezuela. In the U.S. he has appeared with the New York Philharmonic, Los Angeles Philharmonic, Detroit Symphony, St. Louis Symphony, Atlanta Symphony, Houston Symphony, and the Milwaukee Symphony. As a soloist he has performed in New York’s Carnegie and Alice Tully Halls, in Washington’s Kennedy Center for the Performing Arts, and at the Ravinia (IL) and Aspen festivals. His recordings have featured works by Liszt, Messiaen, and present-day American composers William Bolcom and Derek Bermel. Mr. Taylor serves as the Paul Collins Associate Professor of Piano Performance at the University of Wisconsin-Madison. (Website)

Cellist JOSEPH JOHNSON has been principal cello of the Toronto Symphony Orchestra since 2009, and previously held the same position with the Milwaukee Symphony Orchestra. He also serves as principal cellist of the Santa Fe Opera. Mr. Jonson was a member of the Minnesota Orchestra for 11 years. He is a founding member of the Prospect Park Players and the Minneapolis Quartet,  which was honored with the McKnight Foundation Award in 2005. He has appeared throughout the world as a soloist, chamber musician, and educator. His festival appearances include performances at Santa Fe, Bard, Cactus Pear, Grand Teton, and Music in the Vineyards as well as the Pacific Music Festival in Sapporo, Japan, and the Virtuosi Festival in Brazil. Mr. Johnson's recent appearances include the Canadian Première of the Unsuk Chin Cello Concerto with the Esprit Orchestra, as well as Tchaikovsky’s Rococo Variations with the Kingston Symphony and Etobicoke Philharmonic. He is also Assistant Professor of Cello at the University of Toronto as well as the cello coach for the Toronto Symphony Youth Orchestra and the New World Symphony in Miami Beach, FL. Mr. Johnson performs on a magnificent Paolo Castello cello crafted in Genoa in 1780. (Website)

Composer JOHN WINEGLASS has written several scores for shows on MSNBC, CNN, NBC, CBS and ABC as well as documentaries. He is a recipient of three Emmy Awards for outstanding achievement in music direction and composition for a drama series, and three ASCAP Film and Television Music Awards. He has received commissions from the National Endowment for the Arts, the Pittsburgh Foundation, and The Alfred P. Sloan Foundation, along with a wide cadre of private sponsors. Recent commissioned works in the 2018-2019 season included four symphonic works, two with full chorus. His latest symphonic 2019 premiere of three movements, Unburied, Unmourned, Unmarked: Requiem for Rice, was dedicated to the lives of African and African-American forced laborers who cultivated the rice economy in the Lowcountry and based on research in South Carolina, Senegal, Guinea-Bissau and The Gambia.  Mr. Wineglass is currently serving as composer-in-residence with the Monterey Symphony, where both of his pandemic response works, Alone for Solo Violin, Live EFX and Electronica and Alone Together for Percussion, Harp and Strings have been curated to be included in the permanent collection of COVID-19 response art at the Library of Congress. (website)

Cellist BION TSANG is the winner of an Avery Fisher Career Grant and bronze medal in the International Tchaikovsky Competition. Mr. Tsang has appeared with the New York, Mexico City, Moscow, Busan, and Hong Kong Philharmonic Orchestras, the Atlanta, Pacific, Civic, American and National Symphony Orchestras, the Hollywood Bowl Orchestra, the Saint Paul and Stuttgart Chamber Orchestras, and the Taiwan National Orchestra. He has been a guest of the Chamber Music Societies of Boston, Brooklyn and Fort Worth, Chamber Music International (Dallas), Da Camera of Houston and Camerata Pacifica (Los Angeles), and has performed at the festivals of Marlboro, Portland, and Tucson, the Bard Festival, Bravo! Colorado, and the Laurel Festival of the Arts, where he served as Artistic Director for ten years. Mr. Tsang’s discography includes three live recordings: Beethoven: Sonatas and Variations for Cello and Piano (Artek), Brahms: Cello Sonatas and Four Hungarian Dances (Artek), and Bion Tsang and Adam Neiman: Live at Jordan Hall (BHM). Mr. Tsang released The Blue Rock Sessions (BHM) in 2017, featuring eighteen virtuoso cello and piano miniatures, Dvořák and Enescu Cello Concertos (Sony) in 2019, and Bach Cello Suites (Sony) in 2021. Mr. Tsang holds the Long Chair in Cello at the University of Texas-Austin.

Percussionist MIKE KOSZEWSKI is a member of Mr. Chair, Madison's genre-defying quartet, which recently released its second original album Better Days. With this ensemble he has toured extensively, held residence at Caroga Lake Music Festival, collaborated with Filipina vocalist and visual artist Leslie Demaso, created and performed a rearrangement of Stravinsky's Pulcinella Suite, and is currently producing the debut album for hip hop/spoken word artist Dequadray. After graduating from the University of Wisconsin-Madison percussion studio, Mr, Koszewski performed, taught, and lectured throughout the Midwest and East Coast in the 2010s with the percussion ensemble Clocks in Motion. He is a member of the band Lovely Socialite, plays drum kit in the Ben Ferris Octet, and in recent years has performed with Oakwood Chamber Players, LunArt Festival, and Dubuque Symphony Orchestra. Mr, Koszewsk is also a versatile pit orchestra musician, performing regularly with Four Seasons Theatre, Forward Theater Company, Capital City Theatre, and Children's Theater of Madison.

Cellist LACHEZAR KOSTOV is associate principal cello of the Baltimore Symphony Orchestra. He made his debut at Carnegie Hall in 2009, performing rarely heard works for cello and piano by Ellen Zwilich, Nikolay Roslavets, and Dimitri Kabalevsky. Mr. Kostov was the national winner at the 2006 MTNA Young Artists Competition and has won the cello award at the Kingsville Competition, the grand prix at the International Music and Earth Competition in Bulgaria, and the concerto competitions at the University of North Carolina School of the Arts and Rice University. With pianist Viktor Valkov, he won the first prize and all the special prizes at the Third International Liszt-Garrison Piano and Duo Competition. Prior to his appointment with the Baltimore Symphony Mr. Kostov was a tenured member of the San Antonio Symphony, and also performed with the Houston Symphony. He has appeared as a soloist at Carnegie Hall, the Kennedy Center for the Performing Arts, and the  Gewandhaus (Leipzig, Germany), and as a guest soloist and chamber musician throughout the U.S, Japan, Italy, Germany, the United Kingdom, and Bulgaria, and has performed at La Jolla Summer Fest and Cactus Pear Music Festival, and is a guest on faculty at the Texas Music Festival.

Oboist LINDSAY FLOWERS is the assistant professor of oboe at the University of Wisconsin-Madison’s Mead Witter School of Music, where she is a member of the Wingra Wind Quintet and guides student-generated community engagement projects. She received a Doctor of Music degree from Indiana University’s Jacobs School of Music. Her background in athletics distinguishes her pedagogical approach through her emphasis on performance visualization, disciplined commitment, and supportive teamwork. Dr. Flowers is an oboist and English hornist with the Madison Symphony Orchestra, Wisconsin Chamber Orchestra, and Quad Cities Symphony Orchestra. She previously was a member of the Milwaukee Ballet Orchestra, New Mexico Philharmonic, and Civic Orchestra of Chicago. Dr. Flowers was a founding member of the Arundo Donax Reed Quintet, bronze medal winners of the Fischoff National Chamber Music Competition, and has recorded a duo album with Dr. Andrew Parker released in 2023. She has performed with the Milwaukee, Chicago, Indianapolis, Utah, and Nashville Symphony Orchestras and during recent summers with the Santa Fe Opera, Grant Park, Midsummer’s, Lakes Area, Apollo, Lake George, Castleton, Aspen, and Banff Music Festivals. In addition to performing and teaching, she is recognized for her maintenance and repair of oboe and English horn gouging machines. (Website)

Violist MADLEN BRECKBILL learned to play the violin in the Madison music scene—with the Suzuki Strings of Madison, the Wisconsin Youth Symphony Orchestra, and Gene Purdue of the Buddy Conservatory of Music. She continued her studies at the University of Wisconsin-Madison and then at the Glenn Gould School of Music in Toronto, Ontario.. Breckbill lived in Berlin for four years, working as an orchestral trainee with Konzerthaus Berlin, as the violist of the TAIGA String Quartet in Denmark, and as a chamber music player for Villa-Musica in Rheinland Pfalz. Since her early years, Madlen has developed a love for the many-layered, communicative world of chamber music. She has participated in the Jupiter String Quartet at Madeline Island Music Camp, performed with violist Steve Dann at Domaine Forget (Quebec), and with Music by the Sea (British Columbia). In the summer of 2019, Ms. Breckbill started the Stoughton Chamber Music Festival. She enjoys working with both children and adults as a Suzuki teacher. (Website)

Percussionist DAVE ALCORN is a founding member of the percussion group, Clocks in Motion, committed to performing classic percussion literature and chamber music, as well as commissioning new repertoire. He was the principal timpanist of the Wyoming Symphony Orchestra and has performed on a regular basis with the Lansing Symphony Orchestra and Ann Arbor Symphony Orchestra. In addition to western classical music, he is also active in music from various other cultures. He is the former president of the Brazilian Samba group Vencedores, located in Ann Arbor, Michigan. Mr. Alcon has studied instruments of the Middle East and is a former member of the University of Michigan Arabic Ensemble. Since 2007, he has been a staff arranger and composer for the Mt. Lebanon Percussion Ensemble. His arrangements and compositions have been performed by groups throughout the United States, including at the University of Michigan and the University of California-Los Angeles. Mr. Alcorn’s diverse background includes video and audio recording and editing of live concerts, closed studio sessions, and documentaries. He regularly records recitals and other musical events in the Madison, WI area. Mr. Alcorn holds a Master of Music degree in Percussion Performance from UW-Madison and a Bachelor of Arts degree from the University of Michigan.

Conductor KENNETH WOODS was appointed artistic director and principal conductor of the English Symphony Orchestra in 2013, and was recently appointed artistic director of both the Elgar Festival in Worcester, England, and the Colorado MahlerFest. As a guest, Mr. Woods has conducted ensembles including the National Symphony Orchestra (Washington, D.C.), Royal Philharmonic Orchestra, Cincinnati Symphony, BBC National Orchestra of Wales, Budapest Festival Orchestra, Royal Northern Sinfonia, and the English Chamber Orchestra; has been featured on broadcasts for BBC Radio 3, National Public Radio, and the Canadian Broadcasting Corporation; and has appeared at music festivals such as Aspen, Scotia and Lucerne. Under Mr. Woods’ leadership, the English Symphony Orchestra responded to the2020 Covid-19 lockdown, “Music from Wyastone," a series of virtual concerts including dozens of world-premieres of new works and new arrangements, such as a chamber version of Mahler’s Ninth Symphony and Bartók’s Bluebeard’s Castle. Mr. Woods’s blog, “A View from the Podium,” is one of the 25 most popular classical blogs in the world. He has spoken on Mahler on NPR’s All Things Considered and is a regular speaker on BBC radio programs. Kennethwoods.net

Bass NICK MORAN, a veteran of the Madison, Wisconsin, music scene, performs on both electric bass and the double bass in varied genres including jazz, Afro-Latin, hip hop, reggae, and funk. Mr. Moran has toured internationally and performed with a diverse collection of acts, including Ben Sidran, Lee ‘Scratch‘ Perry, Clyde Subblefield, and David ‘Fathead‘ Newman (Ray Charles’s sax player). He has also worked with such Madison music institutions as Harmonious Wail, the Gomers, Tony Casteneda, Anna Laube, Joy and the Boy, and the Tim Whalen Nonet. As a freelance bassist, Mr. Moran has recorded tracks and albums for a wide-ranging roster of artists including Gerri DiMaggio, University of Wisconsin-Madison music professor Les Thimmig, Clyde Stubbelfield, Hanah John Taylor, and reggae giants Natty Nation. His playing can also be heard in various Afro-Cuban, hip hop, R&B and funk loop libraries from Sony Music and Apple. In addition to his music career, Mr. Moran works as a production and development consultant for the Greater Madison Jazz Consortium. In 2014, he was named "Jazz Personality of The Year" at the Isthmus Jazz Festival by mayoral proclamation. In 2016, he joined the UW-Madison School of Music as jazz bass instructor.

Cellist KENNETH OLSEN joined the Chicago Symphony Orchestra as assistant principal cello in 2005. He is a graduate of the Cleveland Institute of Music and a winner of the school's prestigious concerto competition. His other awards include first prize in the Nakamichi Cello Competition at the Aspen Music Festival and second prize at the 2002 Holland-America Music Society Competition. His teachers have included Richard Aaron at the Cleveland Institute of Music, Joel Krosnick at New York's Juilliard School of Music and Luis Garcia-Renart at Bard College. He also has been a participant at the Steans Institute for Young Artists (the Ravinia Festival's professional studies program for young musicians) and at Boston University's Tanglewood Institute. A native of New York, Kenneth Olsen is a founding member of the East Coast Chamber Orchestra, a conductorless string orchestra comprised of young musicians from orchestras and ensembles all over the country.

Violinist HYE-JIN KIM has performed as soloist with the Philadelphia Orchestra, the BBC Concert Orchestra, and Seoul Philharmonic Orchestra, and has appeared as a recitalist at Weill Recital Hall in Carnegie Hall, the Kennedy Center, and London's Wigmore Hall. An active chamber musician, Ms. Kim has toured throughout the U.S. with Musicians from Marlboro and has made festival appearances at Marlboro (VT), Ravinia (IL), and Martha's Vineyard (MA). Ms. Kim has also served as a cultural representative for South Korea through concert and outreach engagement in Switzerland, Australia, and Kazakhstans. Awarded first prize at the Yehudi Menuhin Competition at age 19, Ms. Kim is also the winner of the 2009 Concert Artists Guild Competition and the Philadelphia Orchestra Concerto Competition. Ms. Kim's debut CD, From the Homeland, featuring music by Debussy, Sibelius, Smetana, and Janacek, in a collaboration with pianist Ieva Jokubaviciute, was released in spring 2014 on CAG Records. Born in Seoul, South Korea, Ms. Kim studied at the Curtis Institute of Music in Philadelphia and earned her MA at the New England Conservatory. She is an assistant professor of violin at East Carolina University. She plays a Gioffredo Cappa violin crafted in Saluzzo, Italy, in 1687. (Website)

Baritone TIMOTHY JONES has performed in opera houses and with symphony orchestras in the U.S., Ecuador, Mexico, and the Czech Republic. He has appeared with the Cleveland Orchestra, Dallas Symphony, St. Petersburg Chamber Orchestra, San Antonio Symphony, and the Jacksonville Symphony. In opera houses he has performed leading roles in "The Marriage of Figaro," "Carmen," Die Zauberflöte," "Cosi Fan Tutte," "Don Giovanni," "Don Pasquale," "La Boheme," "Falstaff," "Macbeth," and "La Traviata." He has been a frequent guest with the Victoria Bach Festival, New Texas Festival, Round Top Music Festival, Ars Lyrica Houston, Cactus Pear Music Festival, and the Pittsburgh New Music Ensemble. As a committed performer of contemporary music, Mr. Jones has commissioned and premiered numerous compositions by leading composers of our time. He currently lives in Houston, where he serves on the faculty of the University of Houston.

Violist ARA GREGORIAN made his New Recital Hall debut and his debut as soloist with the Boston Pops Orchestra in 1997. Since then, he has performed in New York's Carnegie Hall, Avery Fisher Hall, and Alice Tully Hall; Washington D.C.'s Kennedy Center; and in major cities throughout the world, including Boston, Los Angeles, Chicago, Vancouver, Hong Kong, Beijing, Tel Aviv, and Helsinki. Throughout his career Mr. Gregorian has been active as a performer and presenter of chamber music. He is the founder and artistic director of the Four Seasons Chamber Music Festival in Greenville, North Carolina, and has appeared at festivals worldwide. He has also performed as a member of the Daedalus Quartet, Concertante, and the Arcadian Trio, and has recorded for National Public Radio and the Bridge and Kleos labels. Mr. Gregorian is a member of the violin faculty at East Carolina University and has created opportunities for established musicians to mentor and perform with talented students through the Four Seasons Chamber Music Festival's Next Generation concerts. Mr. Gregorian received his Bachelor and Master of Music degrees from the Juilliard School. He performs on a Francesco Ruggeri violin from 1690 and a Grubaugh and Seifert viola from 2006. (Website)

Violin SUZANNE BEIA is co-concertmaster of the Madison Symphony Orchestra, concertmaster of the Wisconsin Chamber Orchestra, and second violinist in the Pro Arte Quartet. A native of Reno, Nevada, she began her musical studies on the viola at the age of ten. Three years later, she shifted her attention to the violin and made her solo debut at the age of fourteen with the North Lake Tahoe Symphony. Since that time, she has performed as a soloist with orchestras throughout the U.S. and Germany. Before coming to Madison, Ms. Beia held the position of principal second violin in the Wichita Symphony and has held concertmaster positions with the Reno Chamber Orchestra, Bay Area Women's Philharmonic, Spoleto Festival Orchestra, and Chamber Symphony of San Francisco. She also held the assistant concertmaster position in the New World Symphony. Her chamber music experience has been extensive: she has performed at festivals such as Chamber Music West, Telluride Chamber Music Festival, Token Creek, Festival de Prades, and Chamber Music at the Barn. Ms. Beia has served on the faculties of the Rocky Ridge Music Center and Florida International University.