STEPHANIE JUTT AND JEFFREY SYKES - ARTISTIC DIRECTORS

2022 Festival Season – Riches to Rags

WEEK 1 June 10, 11, 12
Concerts in Madison

Stephanie Jutt, flute
Jeffrey Sykes, piano
Stephanie Sant’Ambrogio, violin
Kenneth Olsen, cello
Timothy Jones, bass-baritone
Inna Faliks, piano

Artist Bios…

Incendiary Artist Spotlight Keeping Up with the Jones

Our new Incendiary Artist Spotlight series gives audiences a chance to connect with some of their favorite artists on a more personal level and enjoy a reception after the performance. Featured artist, bass-baritone Timothy Jones has personally selected music with which he strongly identifies to share with the audience. He will speak about his musical pathways, his successes and failures, his aspirations, and what drew him and continues to draw him to the music he is performing. Timothy Jones will be singing and discussing a variety of music, including some of the traditional Black spirituals he first learned in church growing up.

Collins Hall Hamel Music Center
Friday, June 10, 6:30 – 7:30 pm with a reception following for all

Fortune Favors the Bold

Fortune Favors the Bold, is our first regular program of the season, and features music by composers who took bold risks in their music and their lives. British composer Ethyl Smyth, aside from writing what is now recognized as one of the great violin sonatas of the 19th century, was jailed for her work as a leader of the women’s suffrage movement. Mexican composers Roberto Peña and Manuel Ponce based their music on traditional Mexican song and folklore. Both overcame tremendous obstacles to bring their music to the public. The program concludes with Brahms’ Piano Trio in B Major, a bold work he wrote when he was 20 years old that brought him great success. Not content with that success, he extensively revised the work 34 years later, turning it into one of the most beloved pieces of chamber music of all time.

Ethyl Smith Sonata for violin and piano
Celsius Dougherty Sea Shanties for bass and piano
Roberto Peña Danzón for flute and piano
Manuel Ponce Estrellita for violin and piano
Johannes Brahms Trio in B Major for violin, cello and piano

Collins Hall Hamel Music Center
Saturday, June 11, 7:30 – 9:30 pm

Lemons to Lemonade

In Lemons to Lemonade we feature composers who turned problems into advantages. Beethoven’s deafness led him to explore sounds, colors, and forms beyond the ken of his time; nowhere is that more evident than in the Sonata for cello and piano in D Major. Pulitzer-prize-winning composer Kevin Puts took the problem of an unusual instrumental combination—flute, violin, cello, piano, and bass voice—and turned it into a modern masterpiece, his song cycle In At The Eye with text by W.B.Yeats. Black composer Billy Childs responded to the darkness of Ravel’s Scarbo by writing Pursuit, a solo piano work about the present-day darkness of Black men being pursued by the police. And Undine Smith Moore, in her Afro-American Suite for flute, cello, and piano, transforms traditional slave work songs into a profoundly uplifting piece.

Wolfgang Amadeus Mozart Sonata in D Major for piano four-hands, K.381
Kevin Puts In At The Eye for bass-baritone, flute, violin, cello, and piano
Ludwig van Beethoven Sonata in D Major for cello and piano
Shawn Okpebholo Balm in Gilead for baritone, flute, and piano
Maurice Ravel Scarbo for solo piano
Billy Childs Pursuit for solo piano
Undine Smith Moore, Afro-American Suite for flute, cello, and piano – Sponsor: Katherine Naherny, in memory of Roger Ganser

Collins Hall Hamel Music Center
Sunday, June 12, 2:30 – 4:30 pm

WEEK 2 June 17, 18, 19
Concerts in Madison

Stephanie Jutt, flute
Jeffrey Sykes, piano
Carmit Zori, violin – Sponsors: Sarah Siskind & Joel Rogers
Suzanne Beia, violin
Katarzyna Bryla-Weiss, viola – Sponsor: MJ Wiseman
Parry Karp, cello – Sponsors: Elsebet Lund & James Dahlberg
Trace Johnson, cello

Artist Bios…

Incendiary Artist Spotlight The Legend of Zori

Our new Incendiary Artist Spotlight series gives audiences a chance to connect with some of their favorite artists on a more personal level and enjoy a reception after the performance. Featured artist, Israeli violinist Carmit Zori has personally selected music with which she strongly identifies to share with the audience. She will speak about her musical pathways, her successes and failures, her aspirations, and what drew her and continues to draw her to the music she is performing. Carmit Zori plays and discusses sonatas of Beethoven and Schumann that have been touchstones throughout her musical life.

Ludwig van Beethoven Violin Sonata in A Major, op. 30, no. 1 and Robert Schumann Sonata in A minor, op. 105 – Sponsors: Paula & David Kraemer

Collins Hall Hamel Music Center
Friday, June 17, 6:30 – 7:30 pm with a reception following for all

Trash to Treasure

Trash to Treasure features music that was treated as trash in its day and nearly discarded. Rebecca Clarke’s music languished for years until it was “unearthed” in the late 1970s. Today she is recognized as one of the great composers of the 20th century. We feature her Morpheus for viola and piano and the Dumka for violin, viola, and piano as passionate examples of her gifts. Much of Boccherini’s prolific output still lies undiscovered in library archives. His Quintet for flute, violin, viola, and two cellos is a recent rediscovery that almost didn’t make it to the light. The program concludes with Brahms’ epic Piano Quintet in F minor, one of the towering masterpieces of the repertoire. Audiences are surprised to learn that it is a work Brahms nearly consigned to the fire.

Rebecca Clarke Morpheus for viola and piano – Sponsors: Michael Bridgeman & Jack Holzhueter
Rebecca Clarke Dumka for violin, viola, and piano – Sponsors: Michael Bridgeman & Jack Holzhueter
Luigi Boccherini Quintet in G Major, K438 for flute, violin, viola, and two cellos
Johannes Brahms Quintet in F minor, op. 34 for string quartet and piano

Collins Hall Hamel Music Center
Saturday, June 18, 7:30 – 9:30 pm

Hidden Gems

Hidden Gems features great music that’s a little off the beaten path. Nadia Boulanger is widely regarded as the greatest composition teacher of the 20th century. Her fame as a teacher often obscured her own work as a composer. We feature her brilliant 3 Pieces for cello and piano as examples of her great gifts. Mexican composer José Pablo Moncayo was well-known in his heyday, but his music has fallen into obscurity. We feature his gorgeous work Amatzinac for flute and string quartet. Mozart wrote 27 piano concertos; the fame of the late concertos often obscures appreciation of his earlier concertos. Mozart’s Piano Concerto no. 11 in F Major is a masterpiece of charm and understated passion. The program concludes with Ernst von Dohnanyi’s spectacular Piano Quartet in F-sharp minor, a work he wrote at age 16 that was rediscovered in the last ten years.

Nadia Boulanger Three Pieces for cello and piano
José Pablo Moncayo Amatzinac for flute and string quartet
Wolfgang Amadeus Mozart Piano Concerto no. 11 in F Major, K413
Maurice Ravel Sonatine for flute, cello, and piano
Ernst von Dohnanyi Quartet in F-sharp minor for violin, viola, cello and piano

Collins Hall Hamel Music Center
Sunday, June 19, 2:30 – 4:30 pm

WEEK 3 June 25, 26
Concerts in Madison and Stoughton

Stephanie Jutt, flute
Jeffrey Sykes, raconteur
John West, piano
Nick Moran, bass – Sponsors: Norma & Elliott Sober
Mark Belair, drums and percussion
Cyrus Stevens, violin
Leanne League, violin – Sponsors: Jun & Sandy Lee
Katrin Talbot, viola
Freya Samuels, cello
Bruce Creditor, clarinet
Laura Medisky, oboe
Daniel Grabois, horn – Sponsors: Elsebet Lund & James Dahlberg
Cynthia Cameron-Fix, bassoon – Sponsors: Linda & Keith Clifford
Bo Winiker, trumpet – Sponsor: Miriam Simmons
Matt Onstad, trumpet
Robert Couture, trombone
Robert Carriker, tuba
Jerome Harris, banjo and guitar
Ken Woods, conductor – Sponsors: Martha & Charles Casey

Artist Bios…

BDDS welcomes the New England Ragtime Ensemble

In our third week, BDDS is doing a deep dive into ragtime, a quintessentially American musical style that originated in Black communities in the late 19th century. The sixteen-member New England Ragtime Ensemble, the leading ragtime orchestra in the world, with Stephanie Jutt as its flutist, will present two distinctly different programs. The first of these, THE ART OF THE RAG, explores the origins of ragtime in the early works of Black composers Scott Joplin, James Scott, Tom Turpin, Louis Chauvin, and Eubie Blake. In our second program, FROM RAGS TO JAZZ, we trace the pathway from Joplin’s iconic rags to the earliest jazz with composers such as Jelly Roll Morton, James Reese Europe, and Artie Matthews. “Classical composers” were also profoundly influenced by ragtime, and representing ragtime’s influence we’ll present Debussy’s beloved Golliwog’s Cakewalk and Gershwin’s Lullaby for String Quartet. Novelty numbers, such as Zez Confrey’s thrilling Kitten on the Keys and Dizzy Fingers, will round out the program among other contemporary rags written by living composers.

The Art of the Rag

Scott Joplin (1868-1917) – Maple Leaf Rag  (1899)
Scott Joplin – Original Rags
Scott Joplin & Scott Hayden (1882 – 1915) – Sunflower Slow Drag (1901)
James Scott (1886-1938) – Grace and Beauty (1912)
Scott Joplin  – Hilarity Rag (1910)
Scott Joplin – Magnetic Rag (1914)
Claude Debussy (1862-1918), arr. Gunther Schuller – Golliwog’s Cakewalk (1913)
Eubie Blake (1887-1983) – Charleston Rag (1923)  Sponsor: Barbara Johnson
Scott Joplin – The Entertainer (1902)
Scott Joplin, arr. Gunther Schuller – Bethena, a Concert Waltz (1905)
Scott Joplin – Pineapple Rag (1908)
Scott Joplin – Solace, A Mexican Serenade (1909)
Scott Joplin – Scott Joplin’s New Rag (1912)
Louis Chauvin (1881-1908) & Scott Joplin – Heliotrope Bouquet (1907)
Tom Turpin (1871-1922) – Harlem Rag (1899)

Stoughton Opera House
Saturday, June 25, 7:30 – 9:30 pm

From Rags to Jazz

Scott Joplin (1868-1917) – Maple Leaf Rag  (1899)
Scott Joplin – The Easy Winners (1901)
Artie Matthews (1888-1958) – Pastime No. 5 (1912)
Zez Confrey (1895 -1971) – Kitten on the keys  – Sponsor: Larry Bechler, in memory of Patty Struck
Zez Confrey (1895-1971) – Dizzy Fingers (1923)  – Sponsor: Larry Bechler, in memory of Patty Struck
Ferdinand “Jelly Roll” Morton (1890-1941) – Smokehouse Blues (1927)
Ferdinand “Jelly Roll” Morton – Grandpa’s Spells (1923)
James Reese Europe (1881-1919) – Castle Walk (1914)
George Gershwin – Lullaby for String Quartet (1919)
Robert Carriker – (b. 1954) Mattapan Rag (1981)  Sponsor: Barbara Johnson
Kenneth Laufer (b. 1943) – 12-Note Row Rag (1977)
Joseph Lamb (1887-1960) – Ragtime Nightingale (1915)
Ferdinand “Jelly Roll” Morton – Black Bottom Stomp (1925)
Arthur Marshall (1888-1958)/Scott Joplin – Swipesy, A Cakewalk (1900)
Gunther Schuller (1925-2015) – Sandpoint Rag (1986)
James Reese Europe (1881-1919) – Castle House Rag (1914)

Collins Hall Hamel Music Center
Sunday, June 26, 2:30 – 4:30 pm

Double bassist DAVID SCHOLL was recently appointed to the faculty of the University of Wisconsin-Madison.  He currently serves as principal bassist of the Madison, Quad City, and Dubuque Symphonies and frequently appears with the Elgin, Rockford, and South Bend Symphonies. He is also active in the new music community, including appearances as a guest artist in the Chicago Symphony Orchestra’s MusicNOW series, the University of Chicago’s Contempo series, and the Spektral Quartet. He also appears as a guest clinician in music programs in and around the Midwest. As a product of the public school system, he makes it a priority to present in public schools and nonprofit music programs, including the UW-Madison’s Summer Music Clinic. Mr. Scholl received both his BA and MA degrees at Indiana University, where he studied bass with Bruce Bransby. While there he also studied historical performance from distinguished professor Stanley Ritchie, and spent the summers studying bass with Owen Lee, Jeff Turner, and Peter Lloyd. He continued studies as a Fellow at the Aspen Music Festival and at the Civic Orchestra of Chicago, where he was principal bassist and studied with Alex Hanna.

Trumpet MATTHEW ONSTAD A Wisconsin native, Dr. Onstad serves as assistant professor of trumpet at the University of Wisconsin-Whitewater, where he teaches applied trumpet, coaches chamber music, and performs with the Whitewater Brass Quintet. While earning his Doctor of Musical Arts and Master of Music degrees from UW-Madison, Dr. Onstad performed with the Wisconsin Brass Quintet, a faculty ensemble-in-residence. He holds the rank of staff sergeant in the 132nd Wisconsin Army National Guard Band and has performed with the Milwaukee Symphony Orchestra, ProMusica Chamber Orchestra, Milwaukee Ballet Orchestra, Madison Symphony Orchestra, Wisconsin Chamber Orchestra, Orchestra Iowa, Illinois Symphony Orchestra, and the Isthmus Brass. He held the position of principal trumpet with the Quad City Symphony Orchestra from 2016-2021. Dr. Onstad has previously taught trumpet at St. Ambrose University, UW-La Crosse, and UW-Oshkosh. He has served as a master clinician with the Wisconsin Brass Quintet, the 132nd Army Band, and the Quad City Symphony Orchestra. Dr. Onstad received his Bachelor of Music degree from UW-Oshkosh. matthewonstad.com

Bassoonist ADRIAN MOREJON is a soloist, chamber musician, and orchestral musician based in New York City. As a soloist, Mr. Morejon has appeared with the Talea Ensemble (New York City), the Boston Modern Orchestra Project, and the Miami Symphony, and has also performed in Vienna, Prague, and Memphis. He is co-principal of IRIS Orchestra and a member of the Dorian Wind Quintet, Talea Ensemble, and Radius Ensemble, and he has appeared with many other ensembles and festivals. Mr. Morejon is a prize-winner of the IDRS Gillet-Fox and Moscow Conservatory international competitions and a recipient of a Theodore Presser Foundation grant. He holds degrees from the Curtis Institute of Music and Yale School of Music and currently teaches at the Curtis Institute of Music, the Longy School of Music of Bard College, Purchase College Conservatory of Music, and Brooklyn College. (Website)

Harpist JOHANNA WEINHOLTS is principal harpist of the Madison Symphony Orchestra. She regularly performs with Madison Opera and the Wisconsin Chamber Orchestra and has been a featured soloist with the Madison Symphony Orchestra. She is also Lecturer of Harp at the University of Wisconsin Mead Witter School of Music. Before moving to Madison in 2017, Ms. Weinholts was a freelance harpist in New York City and Toronto and has performed with orchestras all over the United States and Canada. She is an avid performer of both the standard symphonic repertoire and contemporary music and has performed with numerous contemporary ensembles in New York. She has recorded for musical artists in other genres and has been featured on hip-hop, pop, and folk albums. Ms. Weinholts holds a BA in classical harp performance from the University of Toronto and a graduate degree in performance from the Manhattan School of Music. She attended Interlochen Arts Academy where she studied with Joan Holland, professor of harp at the University of Michigan. Ms. Weinholts studied in Toronto with the renowned Judy Loman, one of the last pupils of Carlos Salzedo, a founder of the modern harp technique. (Website)

Horn player DAFYDD BEVIL is Acting Principal Horn of the Madison Symphony Orchestra and La Crosse Symphony. He is also Associate Lecturer of Horn at the University of Wisconsin-Whitewater, performs with the Whitewater Brass, and is the director of the UW-Whitewater Fall Horn Festival. He performs throughout the Upper Midwest as a symphonic, chamber, and solo musician. Dr. Bevil has performed at regional and international conferences of the International Horn Society and maintains an active recital schedule, performing for audiences throughout southern Wisconsin and at universities throughout the country. In 2019, Dr. Bevil completed an album titled “From Screen to Concert Hall” as part of his doctoral research. It is a collection of concert works for horn written by prominent film composers. The album includes the debut recording of Timeline (1945- ), a trio for horn, viola, and piano by Emmy-winning composer Bruce Broughton, as well as seldom recorded works by Nino Rota, Ennio Morricone, and John Williams. He plays on Jungwirth horns crafted in Freischling, Austria. (Website)

Norma Sober, now retired, had a long career as an arts administrator in Madison as the director of outreach at the Madison Civic Center and as director of development and education at Madison Repertory Theatre. She is a member of the Madison Arts Commission and is an occasional consultant to cultural organizations, for which she sometimes gets paid.

David PoletDavid Polet was born in Holland, Michigan into a family of Dutch immigrants.  One of his passions was living in Russia, studying language and literature, and attending the St. Petersburg Philharmonic.  Having worked at Epic Systems, and CUNA Mutual Group, he is currently employed at the State of Wisconsin Investment Board as a project manager.  He likes to attend Chamber Orchestra concerts and is a member of the Salon series at Farley’s House of Pianos.

Beth LarsonBeth Larson has a wealth of experience in nonprofit administration, fundraising, program development, and education as well as performance. As a violinist, Beth has performed with numerous ensembles including the Madison Symphony Orchestra, Wisconsin Chamber Orchestra, Willy Street Chamber Players, and Civic Orchestra of Chicago. She is the former Director of Development-Corporate Partnerships at Overture Center for the Arts in Madison. She is currently Vice President of Development for Habitat for Humanity.

Sarah BestSarah Best is the award winning CEO/chief strategist of Sarah Best Strategy, a social media company.  She has been invited to speak at various conferences around the country, and is an avid traveler, foodie, and multi-faceted creative.  Sarah is also a poet who has been published in The Yale Review.  She is a visual artist and film curator who has shown work at many significant Chicago institutions as well as the Echo Park Film Center, in Los Angeles.  She is a Madison Downtown Rotarian and is secretary of the board of New Harvest Foundation.

Teri Venker has led arts marketing as the director of marketing for the Madison Symphony Orchestra, from which she recently retired, and for the Wisconsin Union Theater.  Teri enjoys bicycling and international travel.  She also volunteers at Lakeview Elementary School and with the Madison Trust for Historic Preservation.

Larry Bechler grew up playing music: first piano, then trumpet all the way through college marching band and into post-college bands. He has a love of live chamber music, spawned by BDDS and the Spoleto Festival in Charleston. He practices law at Murphy Desmond S.C and has served on various committees and commissions throughout his life.

Miriam Simmons served as the Assistant Dean for Professional Development in the Graduate School at UW-Madison. A major responsibility was directing the Wisconsin Idea Seminar, a five-day tour of the state that immerses forty faculty and academic staff members in the realities of Wisconsin. She is on the board of the Madison Civic Club and considers BDDS her new BFF.

Horn DANIEL GRABOIS is associate professor of horn at the University of Wisconsin-Madison, where he plays with the Wisconsin Brass Quintet. He also conducts the UW-Madison Horn Choir; serves as curator of the interdisciplinary series SoundWaves, which he founded in 2012; and directs EARS (Electro-Acoustic Research Space), a research facility for faculty and students. For 30 years, Mr. Grabois has been a member of the Meridian Arts Ensemble, a New York-based new-music brass and percussion ensemble that performs around the world and has released twelve CDs. With Meridian, he has performed in 49 states, given over 75 world premieres, received two ASCAP/CMA awards for adventuresome programming, and has worked with students in the U.S., Europe, Latin America, South America, and Asia. Mr. Grabois has also played with many of the performing ensembles in New York City, including the Chamber Music Society of Lincoln Center, Orpheus Chamber Orchestra, Metropolitan Opera Orchestra, and New York City Ballet. As a composer, Mr. Grabois has published three etude books for horn as well as solo and chamber music. He recently released Air Names, his first solo CD recording, featuring his own compositions for electric horn, bass, and drums. Danielgrabois.com

Piano INNA FALIKS is an Ukrainian-born American pianist and professor of piano at UCLA. After her teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed with numerous orchestras, in solo appearances, and with conductors such as Leonard Slatkin and Keith Lockhart. Highlights of recent seasons include recital tours of China, and performances at the Ravinia Festival, the Festival Internacional de Piano in Mexico, the Fazioli Series in Italy, and Israel’s Tel Aviv Museum. Ms. Faliks collaborates with and premieres music by contemporary composers such as Billy Childs, Richard Danielpour, Timo Andres, and Clarice Assad. She created the poetry-music series Music/Words and regularly tours with her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the U.S. from Odessa. Her recordings include all-Beethoven and Rachmaninoff/Ravel/Pasternak discs for MSR Classics. Upcoming recordings include Reimagine Beethoven and Ravel (with nine world premieres) on Parma and the Master and Margarita project, with three world premieres and Liszt's Sonata in b minor, on Sono Luminus. Innafaliks.com

Viola KATARZYNA BRYLA-WEISS was born into a family of musicians and has gone on to earn more than two dozen prizes and awards in the U.S., France, and her native Poland. Ms. Bryla-Weiss regularly performs with orchestras, chamber groups, and as a soloist in an international career that has taken her across four continents. In 2019 she became a member of St. Luke’s Chamber Ensemble, the artistic core of the Orchestra of St. Luke’s in New York City. She is also a member of the New York City Ballet Orchestra and New York Pops Orchestra, and regularly appears with New York City Opera. Ms. Bryla-Weiss was a soloist with the Baltimore Chamber Orchestra in their 2010 tour of China, and was soloist for the Maazel/Vilar Conducting Competition in Cracow in 2001. She has performed in numerous music festivals, including Classical Tahoe, Napa Valley Music Festival, Central Vermont Music Festival, Music@Menlo, Cactus Pear Music Festival, Bach Dancing & Dynamite Society, Singapore Sun Music Festival, and Las Palmas Music Festival in Grand Canary Island, Spain.

Violinist Paran Amirinazari, an avid chamber musician, is a founding member and artistic drector of the Willy Street Chamber Players. She is a former member of the Hunt String Quartet and has recently earned her Ph.D. from the University of Wisconsin-Madison.

Cello TRACE JOHNSON, is committed to music-making of all styles and genres. Johnson has appeared as a chamber musician, soloist, and orchestral musician in a wide variety of settings in the U.S. and around the world. Equally at home teaching in the studio or performing on stage, he enjoys a varied career as a cellist, teacher, and musician. He is a cellist in the Sarasota Orchestra in Sarasota, Florida, the Madison Symphony Orchestra, and the Wisconsin Chamber Orchestra. He is a regular substitute with the Milwaukee Symphony Orchestra. He has also performed in chamber recitals with faculty from SUNY Purchase, the University of Toronto, Florida Atlantic University, Palm Beach Atlantic University, Florida International University, Shenandoah University, and Queens College in New York City. Johnson is a Collins Fellowship Recipient at the University of Wisconsin-Madison, and is pursuing his Doctor of Musical Arts degree. (Website)

Pianist RANDALL HODGKINSON, grand prize winner of the International American Music Competition sponsored by Carnegie Hall and the Rockefeller Foundation, has performed with orchestras in Atlanta, Philadelphia, Buffalo, Boston, and Cleveland, and abroad in Italy and Iceland. In addition, he has performed numerous recital programs spanning the repertoire from J.S. Bach to Donald Martino. He is an artist member of the Boston Chamber Music Society and performs the four-hand and two-piano repertoire with his wife, Leslie Amper. Festival appearances include Blue Hill (Maine), Bargemusic, Chestnut Hill Concerts (Madison, Connecticut), Seattle Chamber Music Festival, Chamber Music Northwest (Portland, Oregon), and Mainly Mozart in San Diego. Mr. Hodgkinson recently released a CD of solo piano music on the Ongaku label. Other recordings include a live world premiere of the Gardner Read Piano Concerto for Albany records. Mr. Hodgkinson is on the faculties of the New England Conservatory of Music in Boston and the Longy School in Cambridge, Massachusetts. (Website)

Pianist CHRISTOPHER TAYLOR is known for his advocacy of music written in the past 100 years, but his repertoire spans four centuries and includes the complete Beethoven sonatas, the Liszt Transcendental Etudes, and Bach’s Goldberg Variations. Mr. Taylor has concertized around the globe, with his most recent international tours taking him to Korea, China, Singapore, Italy, and Venezuela. In the U.S. he has appeared with the New York Philharmonic, Los Angeles Philharmonic, Detroit Symphony, St. Louis Symphony, Atlanta Symphony, Houston Symphony, and the Milwaukee Symphony. As a soloist he has performed in New York’s Carnegie and Alice Tully Halls, in Washington’s Kennedy Center for the Performing Arts, and at the Ravinia (IL) and Aspen festivals. His recordings have featured works by Liszt, Messiaen, and present-day American composers William Bolcom and Derek Bermel. Mr. Taylor serves as the Paul Collins Associate Professor of Piano Performance at the University of Wisconsin-Madison. (Website)

Cellist JOSEPH JOHNSON has been principal cello of the Toronto Symphony Orchestra since 2009, and previously held the same position with the Milwaukee Symphony Orchestra. He also serves as principal cellist of the Santa Fe Opera. Mr. Jonson was a member of the Minnesota Orchestra for 11 years. He is a founding member of the Prospect Park Players and the Minneapolis Quartet,  which was honored with the McKnight Foundation Award in 2005. He has appeared throughout the world as a soloist, chamber musician, and educator. His festival appearances include performances at Santa Fe, Bard, Cactus Pear, Grand Teton, and Music in the Vineyards as well as the Pacific Music Festival in Sapporo, Japan, and the Virtuosi Festival in Brazil. Mr. Johnson's recent appearances include the Canadian Première of the Unsuk Chin Cello Concerto with the Esprit Orchestra, as well as Tchaikovsky’s Rococo Variations with the Kingston Symphony and Etobicoke Philharmonic. He is also Assistant Professor of Cello at the University of Toronto as well as the cello coach for the Toronto Symphony Youth Orchestra and the New World Symphony in Miami Beach, FL. Mr. Johnson performs on a magnificent Paolo Castello cello crafted in Genoa in 1780. (Website)

Composer JOHN WINEGLASS has written several scores for shows on MSNBC, CNN, NBC, CBS and ABC as well as documentaries. He is a recipient of three Emmy Awards for outstanding achievement in music direction and composition for a drama series, and three ASCAP Film and Television Music Awards. He has received commissions from the National Endowment for the Arts, the Pittsburgh Foundation, and The Alfred P. Sloan Foundation, along with a wide cadre of private sponsors. Recent commissioned works in the 2018-2019 season included four symphonic works, two with full chorus. His latest symphonic 2019 premiere of three movements, Unburied, Unmourned, Unmarked: Requiem for Rice, was dedicated to the lives of African and African-American forced laborers who cultivated the rice economy in the Lowcountry and based on research in South Carolina, Senegal, Guinea-Bissau and The Gambia.  Mr. Wineglass is currently serving as composer-in-residence with the Monterey Symphony, where both of his pandemic response works, Alone for Solo Violin, Live EFX and Electronica and Alone Together for Percussion, Harp and Strings have been curated to be included in the permanent collection of COVID-19 response art at the Library of Congress. (website)

Cellist BION TSANG is the winner of an Avery Fisher Career Grant and bronze medal in the International Tchaikovsky Competition. Mr. Tsang has appeared with the New York, Mexico City, Moscow, Busan, and Hong Kong Philharmonic Orchestras, the Atlanta, Pacific, Civic, American and National Symphony Orchestras, the Hollywood Bowl Orchestra, the Saint Paul and Stuttgart Chamber Orchestras, and the Taiwan National Orchestra. He has been a guest of the Chamber Music Societies of Boston, Brooklyn and Fort Worth, Chamber Music International (Dallas), Da Camera of Houston and Camerata Pacifica (Los Angeles), and has performed at the festivals of Marlboro, Portland, and Tucson, the Bard Festival, Bravo! Colorado, and the Laurel Festival of the Arts, where he served as Artistic Director for ten years. Mr. Tsang’s discography includes three live recordings: Beethoven: Sonatas and Variations for Cello and Piano (Artek), Brahms: Cello Sonatas and Four Hungarian Dances (Artek), and Bion Tsang and Adam Neiman: Live at Jordan Hall (BHM). Mr. Tsang released The Blue Rock Sessions (BHM) in 2017, featuring eighteen virtuoso cello and piano miniatures, Dvořák and Enescu Cello Concertos (Sony) in 2019, and Bach Cello Suites (Sony) in 2021. Mr. Tsang holds the Long Chair in Cello at the University of Texas-Austin.

Percussionist MIKE KOSZEWSKI is a member of Mr. Chair, Madison's genre-defying quartet, which recently released its second original album Better Days. With this ensemble he has toured extensively, held residence at Caroga Lake Music Festival, collaborated with Filipina vocalist and visual artist Leslie Demaso, created and performed a rearrangement of Stravinsky's Pulcinella Suite, and is currently producing the debut album for hip hop/spoken word artist Dequadray. After graduating from the University of Wisconsin-Madison percussion studio, Mr, Koszewski performed, taught, and lectured throughout the Midwest and East Coast in the 2010s with the percussion ensemble Clocks in Motion. He is a member of the band Lovely Socialite, plays drum kit in the Ben Ferris Octet, and in recent years has performed with Oakwood Chamber Players, LunArt Festival, and Dubuque Symphony Orchestra. Mr, Koszewsk is also a versatile pit orchestra musician, performing regularly with Four Seasons Theatre, Forward Theater Company, Capital City Theatre, and Children's Theater of Madison.

Cellist LACHEZAR KOSTOV is associate principal cello of the Baltimore Symphony Orchestra. He made his debut at Carnegie Hall in 2009, performing rarely heard works for cello and piano by Ellen Zwilich, Nikolay Roslavets, and Dimitri Kabalevsky. Mr. Kostov was the national winner at the 2006 MTNA Young Artists Competition and has won the cello award at the Kingsville Competition, the grand prix at the International Music and Earth Competition in Bulgaria, and the concerto competitions at the University of North Carolina School of the Arts and Rice University. With pianist Viktor Valkov, he won the first prize and all the special prizes at the Third International Liszt-Garrison Piano and Duo Competition. Prior to his appointment with the Baltimore Symphony Mr. Kostov was a tenured member of the San Antonio Symphony, and also performed with the Houston Symphony. He has appeared as a soloist at Carnegie Hall, the Kennedy Center for the Performing Arts, and the  Gewandhaus (Leipzig, Germany), and as a guest soloist and chamber musician throughout the U.S, Japan, Italy, Germany, the United Kingdom, and Bulgaria, and has performed at La Jolla Summer Fest and Cactus Pear Music Festival, and is a guest on faculty at the Texas Music Festival.

Oboist LINDSAY FLOWERS is the assistant professor of oboe at the University of Wisconsin-Madison’s Mead Witter School of Music, where she is a member of the Wingra Wind Quintet and guides student-generated community engagement projects. She received a Doctor of Music degree from Indiana University’s Jacobs School of Music. Her background in athletics distinguishes her pedagogical approach through her emphasis on performance visualization, disciplined commitment, and supportive teamwork. Dr. Flowers is an oboist and English hornist with the Madison Symphony Orchestra, Wisconsin Chamber Orchestra, and Quad Cities Symphony Orchestra. She previously was a member of the Milwaukee Ballet Orchestra, New Mexico Philharmonic, and Civic Orchestra of Chicago. Dr. Flowers was a founding member of the Arundo Donax Reed Quintet, bronze medal winners of the Fischoff National Chamber Music Competition, and has recorded a duo album with Dr. Andrew Parker released in 2023. She has performed with the Milwaukee, Chicago, Indianapolis, Utah, and Nashville Symphony Orchestras and during recent summers with the Santa Fe Opera, Grant Park, Midsummer’s, Lakes Area, Apollo, Lake George, Castleton, Aspen, and Banff Music Festivals. In addition to performing and teaching, she is recognized for her maintenance and repair of oboe and English horn gouging machines. (Website)

Violist MADLEN BRECKBILL learned to play the violin in the Madison music scene—with the Suzuki Strings of Madison, the Wisconsin Youth Symphony Orchestra, and Gene Purdue of the Buddy Conservatory of Music. She continued her studies at the University of Wisconsin-Madison and then at the Glenn Gould School of Music in Toronto, Ontario.. Breckbill lived in Berlin for four years, working as an orchestral trainee with Konzerthaus Berlin, as the violist of the TAIGA String Quartet in Denmark, and as a chamber music player for Villa-Musica in Rheinland Pfalz. Since her early years, Madlen has developed a love for the many-layered, communicative world of chamber music. She has participated in the Jupiter String Quartet at Madeline Island Music Camp, performed with violist Steve Dann at Domaine Forget (Quebec), and with Music by the Sea (British Columbia). In the summer of 2019, Ms. Breckbill started the Stoughton Chamber Music Festival. She enjoys working with both children and adults as a Suzuki teacher. (Website)

Percussionist DAVE ALCORN is a founding member of the percussion group, Clocks in Motion, committed to performing classic percussion literature and chamber music, as well as commissioning new repertoire. He was the principal timpanist of the Wyoming Symphony Orchestra and has performed on a regular basis with the Lansing Symphony Orchestra and Ann Arbor Symphony Orchestra. In addition to western classical music, he is also active in music from various other cultures. He is the former president of the Brazilian Samba group Vencedores, located in Ann Arbor, Michigan. Mr. Alcon has studied instruments of the Middle East and is a former member of the University of Michigan Arabic Ensemble. Since 2007, he has been a staff arranger and composer for the Mt. Lebanon Percussion Ensemble. His arrangements and compositions have been performed by groups throughout the United States, including at the University of Michigan and the University of California-Los Angeles. Mr. Alcorn’s diverse background includes video and audio recording and editing of live concerts, closed studio sessions, and documentaries. He regularly records recitals and other musical events in the Madison, WI area. Mr. Alcorn holds a Master of Music degree in Percussion Performance from UW-Madison and a Bachelor of Arts degree from the University of Michigan.

Conductor KENNETH WOODS was appointed artistic director and principal conductor of the English Symphony Orchestra in 2013, and was recently appointed artistic director of both the Elgar Festival in Worcester, England, and the Colorado MahlerFest. As a guest, Mr. Woods has conducted ensembles including the National Symphony Orchestra (Washington, D.C.), Royal Philharmonic Orchestra, Cincinnati Symphony, BBC National Orchestra of Wales, Budapest Festival Orchestra, Royal Northern Sinfonia, and the English Chamber Orchestra; has been featured on broadcasts for BBC Radio 3, National Public Radio, and the Canadian Broadcasting Corporation; and has appeared at music festivals such as Aspen, Scotia and Lucerne. Under Mr. Woods’ leadership, the English Symphony Orchestra responded to the2020 Covid-19 lockdown, “Music from Wyastone," a series of virtual concerts including dozens of world-premieres of new works and new arrangements, such as a chamber version of Mahler’s Ninth Symphony and Bartók’s Bluebeard’s Castle. Mr. Woods’s blog, “A View from the Podium,” is one of the 25 most popular classical blogs in the world. He has spoken on Mahler on NPR’s All Things Considered and is a regular speaker on BBC radio programs. Kennethwoods.net

Bass NICK MORAN, a veteran of the Madison, Wisconsin, music scene, performs on both electric bass and the double bass in varied genres including jazz, Afro-Latin, hip hop, reggae, and funk. Mr. Moran has toured internationally and performed with a diverse collection of acts, including Ben Sidran, Lee ‘Scratch‘ Perry, Clyde Subblefield, and David ‘Fathead‘ Newman (Ray Charles’s sax player). He has also worked with such Madison music institutions as Harmonious Wail, the Gomers, Tony Casteneda, Anna Laube, Joy and the Boy, and the Tim Whalen Nonet. As a freelance bassist, Mr. Moran has recorded tracks and albums for a wide-ranging roster of artists including Gerri DiMaggio, University of Wisconsin-Madison music professor Les Thimmig, Clyde Stubbelfield, Hanah John Taylor, and reggae giants Natty Nation. His playing can also be heard in various Afro-Cuban, hip hop, R&B and funk loop libraries from Sony Music and Apple. In addition to his music career, Mr. Moran works as a production and development consultant for the Greater Madison Jazz Consortium. In 2014, he was named "Jazz Personality of The Year" at the Isthmus Jazz Festival by mayoral proclamation. In 2016, he joined the UW-Madison School of Music as jazz bass instructor.

Cellist KENNETH OLSEN joined the Chicago Symphony Orchestra as assistant principal cello in 2005. He is a graduate of the Cleveland Institute of Music and a winner of the school's prestigious concerto competition. His other awards include first prize in the Nakamichi Cello Competition at the Aspen Music Festival and second prize at the 2002 Holland-America Music Society Competition. His teachers have included Richard Aaron at the Cleveland Institute of Music, Joel Krosnick at New York's Juilliard School of Music and Luis Garcia-Renart at Bard College. He also has been a participant at the Steans Institute for Young Artists (the Ravinia Festival's professional studies program for young musicians) and at Boston University's Tanglewood Institute. A native of New York, Kenneth Olsen is a founding member of the East Coast Chamber Orchestra, a conductorless string orchestra comprised of young musicians from orchestras and ensembles all over the country.

Violinist HYE-JIN KIM has performed as soloist with the Philadelphia Orchestra, the BBC Concert Orchestra, and Seoul Philharmonic Orchestra, and has appeared as a recitalist at Weill Recital Hall in Carnegie Hall, the Kennedy Center, and London's Wigmore Hall. An active chamber musician, Ms. Kim has toured throughout the U.S. with Musicians from Marlboro and has made festival appearances at Marlboro (VT), Ravinia (IL), and Martha's Vineyard (MA). Ms. Kim has also served as a cultural representative for South Korea through concert and outreach engagement in Switzerland, Australia, and Kazakhstans. Awarded first prize at the Yehudi Menuhin Competition at age 19, Ms. Kim is also the winner of the 2009 Concert Artists Guild Competition and the Philadelphia Orchestra Concerto Competition. Ms. Kim's debut CD, From the Homeland, featuring music by Debussy, Sibelius, Smetana, and Janacek, in a collaboration with pianist Ieva Jokubaviciute, was released in spring 2014 on CAG Records. Born in Seoul, South Korea, Ms. Kim studied at the Curtis Institute of Music in Philadelphia and earned her MA at the New England Conservatory. She is an assistant professor of violin at East Carolina University. She plays a Gioffredo Cappa violin crafted in Saluzzo, Italy, in 1687. (Website)

Baritone TIMOTHY JONES has performed in opera houses and with symphony orchestras in the U.S., Ecuador, Mexico, and the Czech Republic. He has appeared with the Cleveland Orchestra, Dallas Symphony, St. Petersburg Chamber Orchestra, San Antonio Symphony, and the Jacksonville Symphony. In opera houses he has performed leading roles in "The Marriage of Figaro," "Carmen," Die Zauberflöte," "Cosi Fan Tutte," "Don Giovanni," "Don Pasquale," "La Boheme," "Falstaff," "Macbeth," and "La Traviata." He has been a frequent guest with the Victoria Bach Festival, New Texas Festival, Round Top Music Festival, Ars Lyrica Houston, Cactus Pear Music Festival, and the Pittsburgh New Music Ensemble. As a committed performer of contemporary music, Mr. Jones has commissioned and premiered numerous compositions by leading composers of our time. He currently lives in Houston, where he serves on the faculty of the University of Houston.

Violist ARA GREGORIAN made his New Recital Hall debut and his debut as soloist with the Boston Pops Orchestra in 1997. Since then, he has performed in New York's Carnegie Hall, Avery Fisher Hall, and Alice Tully Hall; Washington D.C.'s Kennedy Center; and in major cities throughout the world, including Boston, Los Angeles, Chicago, Vancouver, Hong Kong, Beijing, Tel Aviv, and Helsinki. Throughout his career Mr. Gregorian has been active as a performer and presenter of chamber music. He is the founder and artistic director of the Four Seasons Chamber Music Festival in Greenville, North Carolina, and has appeared at festivals worldwide. He has also performed as a member of the Daedalus Quartet, Concertante, and the Arcadian Trio, and has recorded for National Public Radio and the Bridge and Kleos labels. Mr. Gregorian is a member of the violin faculty at East Carolina University and has created opportunities for established musicians to mentor and perform with talented students through the Four Seasons Chamber Music Festival's Next Generation concerts. Mr. Gregorian received his Bachelor and Master of Music degrees from the Juilliard School. He performs on a Francesco Ruggeri violin from 1690 and a Grubaugh and Seifert viola from 2006. (Website)

Violin SUZANNE BEIA is co-concertmaster of the Madison Symphony Orchestra, concertmaster of the Wisconsin Chamber Orchestra, and second violinist in the Pro Arte Quartet. A native of Reno, Nevada, she began her musical studies on the viola at the age of ten. Three years later, she shifted her attention to the violin and made her solo debut at the age of fourteen with the North Lake Tahoe Symphony. Since that time, she has performed as a soloist with orchestras throughout the U.S. and Germany. Before coming to Madison, Ms. Beia held the position of principal second violin in the Wichita Symphony and has held concertmaster positions with the Reno Chamber Orchestra, Bay Area Women's Philharmonic, Spoleto Festival Orchestra, and Chamber Symphony of San Francisco. She also held the assistant concertmaster position in the New World Symphony. Her chamber music experience has been extensive: she has performed at festivals such as Chamber Music West, Telluride Chamber Music Festival, Token Creek, Festival de Prades, and Chamber Music at the Barn. Ms. Beia has served on the faculties of the Rocky Ridge Music Center and Florida International University.